The Art of Character: Creating Memorable Characters for Fiction, Film, and TV, by David Corbett

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The Art of Character: Creating Memorable Characters for Fiction, Film, and TV, by David Corbett

The Art of Character: Creating Memorable Characters for Fiction, Film, and TV, by David Corbett


The Art of Character: Creating Memorable Characters for Fiction, Film, and TV, by David Corbett


Ebook Download The Art of Character: Creating Memorable Characters for Fiction, Film, and TV, by David Corbett

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The Art of Character: Creating Memorable Characters for Fiction, Film, and TV, by David Corbett

Former private investigator and New York Times notable author David Corbett offers a unique and indispensable toolkit for creating characters that come vividly to life on the page and linger in memory. Corbett provides an inventive, inspiring, and vastly entertaining blueprint to all the elements of characterization-from initial inspiration to realization-with special insights into the power of secrets and contradictions, the embodiment of roles, managing the "tyranny of motive," and mastering crucial techniques required for memorable dialogue and unforgettable scenes. This is a how-to guide for both aspiring and accomplished writers that renders all other books of its kind obsolete.

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Product details

Paperback: 416 pages

Publisher: Penguin Books (January 29, 2013)

Language: English

ISBN-10: 014312157X

ISBN-13: 978-0143121572

Product Dimensions:

5.3 x 0.8 x 8 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

55 customer reviews

Amazon Best Sellers Rank:

#435,424 in Books (See Top 100 in Books)

Full disclosure: I've read all of Corbett's novels. He's one of my favorite crime writers. I've also taken a writing class with him, which isn't cheap. His help on my book was invaluable. Now for only $17 or less, you can get a valuable book on writing, like taking a master class. Thing is, it's not about "character," it's about how to create a living person in your work. A living person with drives, wants, and needs, values, an unconscious, with secrets and contradictions, and wounds. A person with heart rather than a "personality type." On and on the book goes from a simple premise, like a philosophical treatise, getting deeper and deeper into the self, the examined life, even marveling at the ultimate fiction of this self. A very rich and profound writing book. The many examples were very helpful. Finally, my epiphany: other characters define the main characters. "We don't know ourselves by ourselves," Corbett writes. For me, this book is a godsend. It helps lift me out of my overbearing subjectivity when I write, and helps me to really create fully realized characters in a "teeming" world. My only negative is that he also used some examples from television, which I didn't know about--but after all, the book is for "fiction, film, and TV."

I teach screenwriting at the university level; and it's been - literally - years since I've found a decent book on character. I was really pleased with this one, and I've added it to the syllabus. One of the first things I tell my students each semester is that there is no book that is magically going to make you a better writer. Only writing can do that. But a good book can help you think and brainstorm in productive ways. Corbett used to be a detective, and he approaches character development from an investigative perspective as well as a developmental one. He also includes some helpful exercises. The book isn't perfect, or magic - but it's a keeper.

Corbett's guide is more than just some paint-by-numbers attempt at creating story character, nor does it suggest a number of details or attributes needed to make a fictional character work. The Art of Character is an examination of the process for creating emotionally rich and deeply engaging story people. With meaningful examples from film, television, novels, and plays Corbett shows how the aspects of fictional character development work. A number of helpful exercises are included with each chapter to help further illustrate the process and enlighten the writer. I would definitely recommend this book for any author wanting a better understanding of how character relates to plot and how characters can relate to each other in meaningful ways. This will be the book I turn to again and again for story creation directions.

Excellent addition to my collection of books on writing. Corbett's take on breathing life into characters is insightful, and his understanding of what makes a character work reflects his deep understanding of what it is to be human, what makes humans work - including the fact that sometimes there's no clear-cut answer, because truth be told, we humans can be messy and unpredictable at times, delightfully endearing at others, and we can surprise, in ways one would never have considered. Definitely worth adding to your collection, great for beginning and advanced writers alike.

This is a wonderful book.I was struggling with my characters, realizing that I had to dig more deeply into the "why" of their actions. This book has excited and reinvigorated me.Yes, I agree with the one star reviewer that Mr. Corbett's writing style can be a bit, er, clumsy. Corbett seems to love fifty cent words and he plunks those words into what I feel are unnecessarily long sentences. The result sometimes ruins the flow of his wonderful and creative advice.I love this book anyway. The exercises are extremely helpful and have really assisted me in polishing my characters. Already they have so much more depth and are so much more interesting.I highly recommend this book, along with Alan Watts' 90 Day Novel. These two books can be a good start to a great novel.

All my writing is character driven so I can appreciate Corbett's excellent book. And while I have lots of writing books on craft and characters on my shelf, this is one that I'll use as a reference regularly. His instructions and examples gets you into the grit of character development. I can open to any page at random and get a jump-start. Here's something he says about the difference between emotion and feeling: the difference is "more one of degree than kind. Feeling is emotion that has been habituated and refined. Emotion is more raw, unconsidered ... comes unbidden. Rage is an emotion. Contempt is a feeling." I really like his understanding of a character's psychological nature and these subtleties. Corbett's advise about creating scenic context for characters is the best I've read anywhere. One downside to this book: no index.

Great book for helping writers create full, robust, meaningful characters. Helps you think about your characters in a more in depth way which helps you write more authentic stories based on what those characters would do opposed to forcing them in situations just because you are attached it the scene and scenario you wrote before knowing your characters.

If you're looking for a quick read, this is not it. In fact it's rather a slow read. However, the insights it provides are invaluable to writers - way beyond what does your character desire, far past making lists of character traits. This book explains how to plumb the inner worlds of your characters to make your fiction sing with depth.

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