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Under a Hoodoo Moon is one of rock's most original and infectious autobiographies. In its pages, Dr. John, the alchemist of New Orleans psychedelic funk, tells his story, and what a story it is: of four decades on the road, on the charts, in and o
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Product details
Paperback: 276 pages
Publisher: St. Martin's Griffin; Reprint edition (March 15, 1995)
Language: English
ISBN-10: 0312131976
ISBN-13: 978-0312131975
Product Dimensions:
5.4 x 0.6 x 8.1 inches
Shipping Weight: 14.1 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
24 customer reviews
Amazon Best Sellers Rank:
#718,172 in Books (See Top 100 in Books)
I really enjoyed reading this book & was a quick read. Just so you know, New Orleans is one of my longtime playgrounds and am a fan of New Orleans music, culture & food. So that's where I'm coming from on this review. Anyone with similar interests and fans of Dr. John or curious about New Orleans culture & music history of the 1950s-60s will get a great overview (and "under-view") from Dr. John, who truly lived it.I will warn that anyone who can be easily offended by reading about prostitutes, drag queens, drug usage, alcoholism and voodoo should not bother with this book. Because, that's frequently what it's about! Because that's the real world in a time slice of New Orleans if your life is centered downtown & the French Quarter.It was interesting to know how Mac Rebannack became a living organic part of the New Orleans scene and despite his ups and downs managed to make a long distinguished career for himself, even if New Orleans wasn't the place for it to all happen. Most of the stories are an absolute hoot all with the verbal flair of his own patois-speak. I wondered what happened to the New Orleans scene sometime in the mid-1960s but Mac tells the story as it was; between self-centered black and white segregated music unions' petty rivalries to the over-zealous Carrie-Nations-ish crusade of famed (ill-famed?) DA Jim Garrison getting the strip and music clubs shut down. This made it very hard for any local musicians to support themselves so they scattered to other cities such as Los Angeles. In L.A. Mac had a circle of expatriates of musical adeptness which could make any musician envious. But once again, a music union caused him grief there, too. That, and multiple crooked personal managers, record company owners & producers which is unfortunately all too common in the music world.I like how the author, after the solo LPs started coming out the chapters are divided as LP "eras". Gives one a good musical perspective in an orderly & informative manner. Now I know why the LP "Remedies" is so weak, despite a few good songs, because it was released without Mac's permission nor involvement! It had some unfinished demos on it, such as the overly long & boring unfinished song "Angola Anthem" on side B.The personal stories about hanging out with Professor Longhair are great, including Fess' own pad home in New Orleans which had a big captain's recliner chair with push buttons for remote functions at that time is just plain cool.I'd probably rate it 4 1/2 stars if were more up to date. I would hope a "volume 2" would come out at some point, starting out where this book finishes because this one was written in the mid-1990s. Hopefully someone will take up that project sometime.
Ok. In full disclosure, as a Creole, as a frequent visitor & lover of New Orleans, as a person who sees the city as a cultural "home", I have long since been a fan of Dr. John, of his music, of his style, his character, his way. I see him as a cultural treasure of our nation. I picked this book up so as to better understand the cultural & musical icon. It delivered on that. However, it also delivered the best lagniappe (something extra) a book has done in a while. This book delivered a page turning, gripping, no holds barred expose of the music industry. The glitz, the glamour, the world tours & after parties? This book unveils the dirty deals, double crosses, substance abuse, misunderstood artistry & misdiagnosed mental illness that is a common core of the industry. Mac lays it bare and reveals all. Having had professional musicians in the family I've always been encouraged to learn & play, but only as an amateur. I see why. This book delivers a cant put down, page turning low down on the biz.
I got this book partly because I wanted to learn about Dr. John, but the other reason was because I wanted to learn about New Orleans music in the 50's. At the $5 used price, it was hard not to. It's entertaining on both fronts, with plenty of stories about the shady characters and wild band mates you would imagine going down in New Orleans at the time. It reads very much like an interview, and he's completely honest about everything and everyone (i.e. his rant on Van Morrison was entertaining). But like every autobiography, some details on certain aspects of his life were not embellished upon. While he does talk a lot about music, he doesn't really ever go into detail as to HOW he learned piano! We know he was originally a guitar player, but his transition to piano was always a mystery to me. Was it immediate, or had he learned bits and pieces before? Did he take lessons and learn how to read, or was it all street-learned? All these questions, and yet he kind of glosses over all those years of learning piano during the 1960's, but goes into great detail about his years of guitar lessons. Oh well. Overall, if you're a casual fan, it's probably something you can skip. But as a huge fan of Dr. John and the New Orleans music scene, past and present, it was a no-brainer for me to buy this.
Dr. John's spirit is alive in this book. It's honest, raw and real. His musicality comes through in his words. If you want to see what's behind his music, this is a good place. If you want to hear what's behind the man, listen to his music.There's a rhythm to the words of musicians. I found the same rhythm in the words of Smokey Robinson and Keith Richards in their books. They bare their souls in their music and can't seem to contain the truth in their words.I just saw him perform recently, and it's means so much more now having seen something of how he became who he is.I hope you enjoy the read.
I bought this book because I had heard a series of interviews with Mac (on [...]) made during the research for the book. The book is amazingly true to the interviews. The guy can talk. If I hadn't heard the interviews I might have been turned off by the idiosyncrasies of spelling and language, like fonk instead of funk.To me, it provided a very absorbing inside look at the post-war New Orleans music scene. Man, that was tough: cut-throat competition for work, ubiquitous drugs, and significant violence. It was interesting to read about how so many people kept such remarkable focus on improving as musicians in the business. The discussions of the LA recording scene were interesting too.
Good book, more for fans than musicians. There is a bit in here that will give musicians some useful info, but not much. It's interesting anyway and gives a lot of info about his life - written the way he spoke.
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